Now coming to the subject of singing: there are certain things which must be retained in the voice. However much the voice may be developed, however great its volume, however far reaching it may be and should be made by practice, at the same time one must feel responsible for keeping one’s natural voice through every stage of development – that the natural voice is not hurt by it. It does not mean that one should not have a far reaching voice, it does not mean that one should not have a voice of a larger volume, that one should not have a voice that is vigorous and flexible. Everything that enriches the voice is necessary and must be developed by practice, but all the time keeping in view: ‘I must not sacrifice the natural quality of my voice’. For every person, every soul must know that there is no other voice like his. And if that particularity of its own voice which each soul has is lost, then nothing is left with it.
Besides this, every person is an instrument in this orchestra which is the whole universe, and his voice is the music that comes from each instrument. Each instrument is made distinct and particular and peculiar, so that no other voice can take the place of that particular voice. If then – with the instrument that God has made and the music that God has intended to be played in the world – one does not allow that music to be played and one develops a voice which is not one’s own, naturally that is a great cruelty to oneself and to others.
Khan, Hazrat Inayat. The Mysticism of Sound and Music: Revised Edition. Shambhala Publications. 2014.